Rumi, “Silkworms”


sharingpoetry:

The hurt you embrace becomes joy.
Call it to your arms where it can

change. A silkworm eating leaves
makes a cocoon. Each of us weaves
a chamber of leaves and sticks.
Silkworms begin to truly exist

as they disappear inside that room.
Without legs, we fly. When I stop

speaking, this poem will close,
and open its silent wings.

(submitted by jtlovelady

music in the small hours - for Andy


“my heart is a ghost
and he drinks and he smokes
and he keeps me awake
all through the night my heart shakes…

…and i ride in the lane
in the lane there’s a wind and it keeps me sane
in my head is a god but I can’t speak for it…”

- from Leaves, Trees, Forest by Dan Mangan

livelymorgue:

Nov. 6, 1979: Two riders on the Staten Island Ferry looked out the window on “a perfect autumn day when the air was crisp and the skyline sparkled,” read the text accompanying a photo spread. “The kind of day, some New Yorkers like to say, when the city is at its best.” Photo: Neal Boenzi/The New York Times

proustitute:

Alison Rossiter, Darko (Sears Roebuck) Glossy, expired May 1928 (C), processed 2011

proustitute:

Alison Rossiter, Darko (Sears Roebuck) Glossy, expired May 1928 (C), processed 2011

Imagination Imagined


“The term “imagination” in what I take to be its truest sense refers to a mental faculty that some people have used and thought about with the utmost seriousness. The sense of the verb “to imagine” contains the full richness of the verb “to see.” To imagine is to see most clearly, familiarly, and understandingly with the eyes, but also to see inwardly, with “the mind’s eye.” It is to see, not passively, but with a force of vision and even with visionary force. To take it seriously we must give up at once any notion that imagination is disconnected from reality or truth or knowledge. It has nothing to do either with clever imitation of appearances or with “dreaming up.” It does not depend upon one’s attitude or point of view, but grasps securely the qualities of things seen or envisioned.”

          — Wendell Berryfrom “It All Turns on Affection”, the Jefferson Lecture on Humanities, National Endowment for the Humanities

explore-blog:

An 1804 copy of the first ‘modern’ world map, made by the Venetian monk Fra Mauro in about 1450, and more magnificent maps as power, propaganda, and art from The British Library.

explore-blog:

An 1804 copy of the first ‘modern’ world map, made by the Venetian monk Fra Mauro in about 1450, and more magnificent maps as power, propaganda, and art from The British Library.

theblanketfort:

Signs. (Taken with instagram)

theblanketfort:

Signs. (Taken with instagram)

mythologyofblue:


Image from: Descripción histórica y cronológica de las dos piedras
[Source: LoC, Rare Book and Special Collections Division]

mythologyofblue:

Image from: Descripción histórica y cronológica de las dos piedras

[Source: LoC, Rare Book and Special Collections Division]

(via myfoursidedmemorymachine)